Skip to main content

1999 Modern Myths 현대의 신화

 Modern Myths

현대의 신화 -In the body and language- 


Presented by: Internet Gallery of Contemporary Art (today, Post Gallery)
Display Period: May 11th – 16th, 1999
Opening Date: Tuesday, May 11th, 1999
Place: Daegu Arts Center (Halls 6, 7)
Directed by: Kim Ok-real (Artistic director/Art critic)
Artists: Kwon Ki-chul, Kwon O-bong, Jang Jae-hee, Jung Young-heouk
Jung Eun-you, Jung Tae-kyung

Do we see what a painting tries to say? Or, does it speak even? If so, how much do we listen to what it shows? Today I am again standing in front of a painting which I listen to with eyes and see with ears, trying to commune with it. Trying so that my eyes might become ears and my ears become eyes for those who have never made such an attempt nor even dreamed of it. 








In fact, it is difficult to understand a painting. Perhaps it is the reality of contemporary art that it easily leads us to misinterpretations and misunderstanding. Many say that they have nothing to say about it. Most of these people had no chance to understand art, or more precisely, even to look at its work. Art has been passing between objectivity (naturalism) and subjectivity (modernism). Being a fragmented subject in itself, it has provoked huge discourses, the message of which is focused on general notions of human status such as enlightenment, freedom, liberation, etc.

In short, although it is certain that contemporary art insists to have its own world that is shut off from the exterior and thus has become the art of escape and the art for art, we must keep in mind that there is an indispensable voice demanding justification of its existence. For this reason, ‘Modern myths’ is an attempt to justify various forms of contemporary art. In other words, the objective of this exhibition is to open up the possibility of communication to attain a justification of the contemporary art.




The participating artists (O-bong Kwon, Tae-kyoung Jung, Gi-chul Kwon, Jae-hee Jang, Young-hyeok Jung, Eun-you Jung) have worked with different values and interests (European painting, photograph, Korean painting) over 10 to 20 years. Accordingly, their ways of interpreting one subject vary. But what this exhibition needs us to do is to look for the basic image that is commonly shared by these artists in the context of modern and contemporary art.
 



May 11th, 1999
Okreal Kim(Independent Curator)

Comments

Popular posts from this blog

Biography

OKREAL KIM Born 1964, lives and work in Daegu, Korea. Director of CAIKOR and Artspace Purl Education 1996-.2003  Ph.D(ABD)., 'History of Art and Aesthetics' YeungNam University, Daegu, Korea 1992-1995  MA , 'History of Art and Aesthetics' YeungNam University, Daegu, Korea 1984-1988  BFA, Fine Arts, YeungNam University, Daegu, Korea Professional Experience 1996 – 2006  Independent Curator, Art Critic 2007.8 - 2009.3  Chief Curator in MJgallery 2009 –  Director of Contemporary Art Institute and Art Space Purl Independent Curating 2006  Soma Condition, Cyber exhibition, okgallery 2004  Yang Sung Ock‟s, Hot meeting, Kwanghwamun gallery, Seoul, Korea 2001  Identity of a painting-Memo one, Daegu arts center, Korea 2001  Beauty, that is, Earth in ceramics, Bitsal museum, Daegu, Korea 2001  Summer history, residency a month in closed school, Sungju, Korea 2000  Dream of the Shinchun river, Shinchun riverside, Daeg, Korea 2000  Paradigm shift, Daegu arts

1999 The Method of 10 persons

The Method of 10 persons   10인의 방법 전  - The noon of intelligence, Transcendence vs. Submergence-   ::Opening Event Noon - 4:00pm Performance: Modern dance (2 dancers including Eun-shil Lee) Noon - 4:30pm < The noon of intelligence, Transcendence vs. Submergence >                             Discussions and critics on the artwork in display Artists :  Yong-kwan Kwon, Young-min Kim, Jin-wook Kim, Changsoo Park,               Moo-ho Shin, Gil-shik Lee, Dong-hoon Yim, Jin-taek Jung,               Byoung-Moon Choi, Joo-young Choi Directed by : Ok-real Kim (Art Critic) Date/Place:   July 6th, 1999 at 4pm / Daegu Arts Center, Hall 4 Byoung-Moon Choi Jin-taek Jung Joo-young Choi Young-min  Kim Yong-kwan  Kwon Gil-shik  Lee Jin-wook  Kim Art has been provoking numerous modes and styles under the name of ‘originality.’ Such diversity usually acts as a creative power, but at times it burdens us and causes great conflicts and confusion between conventions and originality. Should we keep sil